Lily makes digital drawings where rabbits navigate worlds on the edge of collapse. Her work draws its central themes from the 1978 film Watership Down. Lily’s art reframes rabbits as protagonists with intuition, agency, and survival instinct, not as passive creatures or prey. Her bunnies move with quiet urgency and can be found beneath skies churning with otherworldly colors, behind glowing chain-link fences, and beside decaying industrial silhouettes.
Lily’s shift from drawing to digital art began during the pandemic when she lost access to her studio and began experimenting on her iPad. Lily’s visual language is built on layered, gestural mark-making which carries the grit of manga screentones and the disorienting saturation of psychedelia. Recurring motifs include crosshair eyes, catching nets, and wire barriers that show a world in which the vulnerable are perpetually in someone's sights, and yet continue moving with resilience.